Links to music in blue

Post-punk, indie and a little bit of psych-rock have dominated proceedings this week. The first new single to catch the ear was Itch/Scratch by Human Pet, which reminds me of Adam and the Ants in their early days (including the Red Indian chants in the background). Next up was Presenteeism by Public Body, another song which feels like its sprung from the influence of late 70s post punk, but this time in the Gang of Four mould. I’ve been caning both tracks, they’re wonderful stuff. Out at the start of the week was the new single by one of our ones to watch for 2020, Working Men’s Club. White Rooms and People is not quite at the same level as Teeth but it’s still a good tune nevertheless, reminiscent of the Human League, but in a good way. ​

Outside of indie and post punk, the new album by Dead Sea Apes got a few plays. Recorded live in the rehearsal room last December, Night Lands is comprised of three improvised dirges, long mesmeric, repetitive tracks that build into a crescendo, and ultimately rewarding you for staying to listen to them in their entirety. As with all long pieces of music in these fast-moving times, the album is not the easiest listen in the world and does require patience, however if you fancy zoning out from the world then it’s worth listening through in its entirety. Night Lands is released on Cardinal Fuzz records and you can listen to the album on its entirety here or buy it here.

Also within the world of psych-rock we should have a review of the new Slift album (which is released on the 28th February) to share next week.    

The gods of alternative music have sent some excellent new tunes this week. First off, if you’ve not heard the debut single by Document Pity I suggest you click here straight away and give it a listen. It’s absolutely top notch, a snarling post punk cross between ‘Colossus’ and ‘Smack My Bitch Up’. We’re really looking forward to seeing them play live and hearing more from them in 2020.

Also, rather awesome are Polevaulter who came to our attention this week – its been 10 months of so since their last single International Break so not exactly new music but they’ve been touring with John x 2, hence them showing up on the radar. They’ve had three singles out, all excellent.
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On the new release front this week, there’s been the new single by Pottery Texas Drums taken from their forthcoming debut album and Drool by Silverbacks out on digital and 7 inch (with Sirens). Texas Drums motors on at blistering pace like a cross between the Teardrop Explodes ‘Reward’ and Pigbag’s ‘Papa’s got a brand new Pigbag’, Drool is a more downtempo and a bit 90’s. Both are very good.  

Although it came out a couple of weeks ago Football by Liverpool band Courting flashed up this week – another fantastic tune and the follow up to their equally impressive debut ‘Not Yr Man’. When checking out Courting on Twitter, we also found a post of theirs recommending the debut Pet Shimmers album, which is very good, and realistically merits a blog of its own so we won’t go into too much detail other than to say give it a listen. Post-Dick Circle F***  the latest single from that album is on our fiver playlist this week.

Two albums came out on Friday that we haven’t had a chance to listen to as yet (Document and Polevaulter have monopolised the stereo over the weekend) so we’ll be checking them out in the coming few days on the way to work – these are the second albums by Pet Crow and Dutch band The Homecoming.    

You can listen to / follow the fiver playlist here

Late last year I came across a song that sounded like Mark E Smith had enlisted Andrew Weatherall to produce the Fall, and given him license to deliver the output however he so wished. This dub heavy, bleep and squeak laden tune, Mushrooms and Leather by Cowboy Flying Saucer led me to check out the bands second studio album ‘Travel Lodge’, and suitably impressed, I added it into our Best Albums of 2019.

Travel Lodge amalgamates an impressively wide range of music styles - post-punk/indie augmented by dub/funk/jazz/acid/techno/krautrock and other musical explorations, all put together beautifully by a clearly talented bunch of people, who as well performing in Cowboy Flying Saucer are all involved in a number of interesting side projects of their own, including ‘Tape 1054’ a collection of experimental field recordings under the guise of D/Bam released last month. 

Coming into 2020, the band have released a live album ‘Live in Leyton’ and are in the process of replacing their bassist Spanna, who has left the UK to go and live in Australia. The band kindly answered a few questions for New Music Social at Spanna’s leaving drinks, discussing the songs behind Travel Lodge, the new Live album and the background to the band:

For those people that have never heard of Cowboy Flying Saucer, how do you describe yourselves?
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We're 4 people; ones got a guitar, ones got a bass, ones got drums and one speaks/sings and sometimes hits a keyboard with his fists and together we make some beautiful music. We're glamour, looking for leather, hanging around the sandy regions of London looking for fun. We're collectively quite elderly but we're keeping us fit and healthy with a steady diet of assorted crisps.

Where does your name come from?

Originally, BK13 thought we'd be Disco Cowboy Magic. That idea was rejected by others in the band (although it still exists for the odd session where members are missing) Then we thought we'd be Disco Volante. We checked that on Ask Jeeves and Clippy popped up and told us it had already been taken. By now, we were fuelled by beer and BK13 said what about Cowboy Flying Saucer. It stuck as it was a nice combination of the two previous suggestions and we couldn't think about it any more. 

Talk us through the tracks on Travelodge (in terms of music and lyrics)
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Heavily Sedated NOW! - Drum heavy song with some bass on it, it's in 5/4. Take all the drugs if the Doctor says so.

No Cover at all - Don't put the cover on your teapot.

Mushrooms & Leather – A man revisiting his past life with his old mates. Mushrooms and leather, one last go, for old times sake.

Travelodge Wedding – A wedding in a Travelodge where people had a lovely time. All the rooms in the Travelodge have a behind closed doors story too, many of them are on this album.

Camouflage – difficult to spot this one. Never seen it but it's hard to disguise. It's a love song. About  BK13's French exchange trip at school where he met the lovely Guiliam, gave him a kiss and held his hand.

Theme From CFS - A theme tune for an imaginary TV show. Or maybe about Stoke Newington Police and their top pockets

Crack Grandma – loading up for rehearsal one night and Bobby spotted a situation unfolding down the road involving a little exchange between supplier and customer. The story was retold at the rehearsal and then became a CFS mainstay.

Space Town Lovers – Balls longer than cock, a classic insult from days gone by. Insults were so much better in the old days.

I want more – who doesn't? We all do, right?

If you were an invited guest at the Travelodge Wedding and had attended the full day, what would the bride and groom’s first dance be to, what would the dinner have been and what would the best man’s speech have sounded like?

Dance - Come up and see me, make me smile – Steve Harley & Cockney Rebel

Dinner – scampi in a basket/chicken dinner/lager/sponge wedding cake/artic roll

Best man's speech – Tony does the best man's speech. Gets as far as thanking everyone for being there, making a toast to the bride and groom but then the fight breaks out; smashed bottles, full ruck, chairs all over the place, piss everywhere.

Your music takes in a great range of styles, krautrock, indie, jazz, dub, acid and so on – do you all share the same music taste or does each of you bring different styles to the table?
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We all have different tastes and interests but plenty of overlap; there is probably a Venn diagram or something, if we could be bothered to draw it. 

Tell us about the new live album

Recorded by our friend The Sound Mechanic at a gig at The William the Fourth, Leyton, in September 2019. We released it digitally at Christmas to raise a little money for Eat or Heat, a local food bank charity. It's on our bandcamp page but will also be a physical (CD) release on the marvellous TQ N-aut label very soon.  All proceeds go to Eat or Heat.

I gather a member of the band has moved to Australia – how does that impact your plans in the future?

Spanna is still here, he's going on Monday though. Spanna says we should keep going but all get bum tattoos of his face. He will appear as a hologram sometimes or maybe we'll set up a cup and string line to Oz to avoid high costs during rehearsals and gigs. Actually, we'll get a new bass player. Spanna might play comb and paper a bit, if he ever comes back to visit.

Other projects outside of CFS?

Dave does a bit of sound art; mainly field recording mutations and some generative improv with synth/drum outfit, Red Team. Occasionally some output from this is shared with the world. Most recently, a track made from sounds recorded on the 97 bus was included on “Fieldwave Vol. 1”  (Nonclassical Records) and an album “1054”  released via Chelmsford's Misophonia Records. Both available on cassette NOW!

Jven does house music and has done for many a year. Current project is Jonno & Tommo
 
BK13 promotes a spoken word & music night, called Chickentown at Biddle Bros in Clapton, Hackney. Second Tuesday of the month. Allows the use of the phrase C U next Tuesday in advertising you see. Anything goes, it's free and you never know what to expect, except for a hangover on the Wednesday.
Spanna does some Acid House and visual art too. Have a look at his YouTube channel
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What have you got planned for 2020?

New bass player, new CD release with TQ N-aut, hopefully some gigs, including outside of London, and maybe, just maybe, a new album too. Probably some more things that we haven't planned for just yet. 

You can buy Travel  Lodge and Live in Leyton via https://cowboyflyingsaucer.bandcamp.com/

For more information on the charity Eat of Heat go to ​http://eatorheat.org/

Links to YouTube in Blue

There were some cracking new digital releases last week: pick of the bunch was Sheafs with Total Vanity! taken from their forthcoming debut EP ‘Vox Pop’ which comes out early March on Blood Records. Total Vanity! follows on from the powerful post punk of Care Less (which also features on Vox Pop) and has more than a hint of Black Rebel Motorcycle Club (a big influence on the band) about it. The EP comes in white vinyl, signed and individually numbered, and you can get it here.

One the albums that we’ve been looking forward to hearing is 925 by Sorry which comes out at the end of next month on Domino Records, and they released another impressive taster from it this week called More.  More has a bit of a Glitter band stomp about it and it follows on from one of our singles of 2019 ‘Rock ‘n’ Roll Star.

White Flowers released their debut single this week Night Drive and we also saw them play live at Bedford Esquires for Independent Venues Week supporting TOY. They are very much like Garlands/Head over Heels era Cocteau Twins (no bad thing of course), with maybe an element of My Bloody Valentine thrown in. I guess if you’d have to categorise them,it would be Shoegaze or Dream Pop used as the descriptor.

Also new out was the third single by Southampton’s The Vitrines with To Come Close, a sharp bit of post punk and the follow up to last years ‘Where I Stand’.

Over in the psych rock corner, I made acquaintance with a few of the acts on the Cardinal Fuzz roster including Dead Sea Apes, Waterless Hills and wonderfully named Sunburned Hand of the Man. The latter released their wonderfully eclectic latest album ‘Headless’ last year but are shortly launching a vinyl version. You can here a bit of the album here. We’ll have a review of the Dead Sea Apes (who also have a single out with Adam Stone at the same time) album ahead of its release date next week, but suffice to say its another interesting body of work that follows on from their dub work out on ‘Sixth Side of the Pentagon’.

We’ll also have a review of the Waterless Hills album later this month. we also came across Destruction Unit this week for the first time via the Loop Facebook group – the music’s not new (their last album was 2015) but it is good if you like your noise as we do, a bit like Ian Curtis singing in a feedback laden psych band.

We’ll have more new music recommendations from new releases next week – make sure you subscribe to the fiver on Spotify if you want to hear them early.

Reminds us of: The Fall, Wire, Gang of Four, Can, Neu! Links to footage from their live performance in blue

They’re a curious bunch Yammerer, a bit of an enigma. No social media accounts, no Spotify bio, they don’t tend to do interviews, their singer looks like Ian Astbury’s scruffy lovechild and he sings in with the audience at gigs instead of joining the band on stage. They do make bloody good music though, enough for John Kennedy of Radio X to come and check them out third on the bill at a pub in Tufnell Park on a cold January night, and of course for the far less important me to do the same.

Yammerer’s debut EP ‘Reality Escape Resort’ came out late last year on Restless Bear Records. Airport kicks off proceedings, a frenetic post punk number that the Fall would have killed to have produced themselves. Poisonous Reptilian Colleagues & Co follows, similarly unhinged and post punky with a great breakdown towards the end.  Yfves Head  (Wifes Head) keeps the energy going with a riff that sounds like an alarm going off somewhere and the EP concludes with Seasons 13-31, 9 minutes of spiky guitar, motoric beats and irreverent ranting. It’s excellent stuff.

They are equally as impressive live, as I find out when I saw them play their third London gig at the wonderful Aces and Eights bar in Tufnell Park. Their set began and concluded with 9-minute numbers that built and built beautifully, interspersed with three of the shorter tracks from the EP. Yammerer have some seriously talented musicians and the music is beautifully put together, which is why they can get away with playing tracks of that length at gigs, and why you get the impression that their album (if there is going to be an album) will be something to really look forward to.

​Interestingly the room filled for their set, and then emptied out for the other two bands on the bill, so one can only assume that their reputation is rapidly growing. Hopefully we’ll see them playing out and around the UK this year and get to hear some new material from them.